THE MODEL

The Model
index
Sixteen year old Emma- an impressive debut performance by Maria Palm- leaves her Danish hometown for Paris with high hopes of becoming a successful model after landing a contract with an agency. However her naiveté and innocence are of little use to her in the cut throat world of modelling and on her first assignment she messes up big time and almost finds herself on the first flight home.
Later that evening finding herself coerced into a night out by her roommate Zofia she spies the handsome, successful and older photographer Shane (Ed Skrein) who dismissed her from the aforementioned photo shoot and feeling bolstered by a new-found confidence and determination makes a move on him.
Before long her career is back on track and with Shane treating her as his muse it goes from strength to strength with prestigious publications and designers all clamouring for a piece of the hot new girl in town.
Still emotionally unstable however it doesn’t take long for the cut throat world of the modelling and fashion industries to leave her insecure, unsettled and unstable. Too young to recognise who her real friends and allies are, making her open to manipulation, she makes several misguided judgments and before long both her life and career are in a tail spin.
Director Mads Matthiesen coaxes a worthy performance out of Palm; she exudes the right amount of vulnerability, innocence and later unhinged madness, but at all times keeps a blank mannequin’s façade almost impossible to scrutinise. This lack of emotive detail on her face is perhaps the character’s greatest strength; we never quite know what she is thinking.
The supporting cast provides a suitable beautiful backdrop for the dramas to play themselves out although the performances are all noteworthy too.
The fashion and modelling industry doesn’t come out of it all too well, with a lot of slippery characters at the helm of all the major moves and decisions; but surely that will come as no surprise to anyone these days. At the end of the day The Model merely confirms that the industry which manipulates these young girls expects them to be wise beyond their years if they want to survive but unfortunately that is very rarely the case and often they end up damaged. This film highlights the damage done not only to the young girls but to those they come into contact with.

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