ABSOLUTELY FABULOUS:THE MOVIE

Absolutely Fabulous:The Movie
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It was with more than a slight feeling of trepidation that I approached this film; a spin-off of a much loved television show which captured and parodied a particular zeitgeist in PR and fashion in the early to mid nineties. The central characters Edina (Eddie) Monsoon and Patsy Stone- respectively Jennifer Saunders and Joanna Lumley- became an instant success and legendary comedy figures with every pair of girlfriends who had ever shared a glass of cheap fizz believing they were one of the two and adapting to their roles accordingly.
The series began to pall in the late nineties and the spark failed to re-ignite as comeback series after comeback series failed to generate the same laughs or capture the current climate as successfully as the original runs did; the less said about the 2012 Olympic themed one-off ‘special’ the better.
However, as if to make sure that a dead horse has been properly flogged, Saunders was persuaded that what the world really needed was a full length movie version of a show which peaked over twenty years ago. Thus we find ourselves with Absolutely Fabulous: The Movie and with the country on the brink of chaos after the recent Brexit result it would seem that a bit of comedy is just what we need to cheer up what is quite a miserable time.
Or at least that is the theory!
The film is based around the premise that Eddie’s PR firm, which at best was a nebulous concept anyway, is in dire straits and needs some serious attention or at least one decent client. As if on cue it transpires that Kate Moss is seeking new PR and therefore Eddie sets about pursuing this dream client but inadvertently ends up pushing the supermodel off a balcony and into The Thames, where everyone assumes she drowns.
Eddie quickly finds herself accused of her murder- the only thing that really gets murdered in this film is the Scottish accent left in the incapable and culpable hands of Lulu- and an international hate figure, which combined with her business and financial woes, forces her into fleeing the country conspiring with faithful cohort Patsy who believes she is still such a catch that she can attract a rich playboy who will fund their lives in the champagne lifestyle they feel (self) entitled to.
Around this juncture the whole movie degenerates even further into predictable farce and there is even a ‘Some Like It Hot’ styled plotline you see coming a mile off.
I am not sure quite why Saunders chose to make this film as it is clearly way past its peak and although she and Lumley are as brilliant as ever in their roles there is a feeling they are sleepwalking their way through them; they even on occasion throw out a few greatest hits moments. The thing is, due to re-runs and box sets, these are not as funny as they should be as familiarity alongside predictability are the curse of any comedy.
The roll call of celebrities doesn’t help matters – the aforementioned Lulu, Emma Bunton, Lily Cole, Christopher Biggins, Jon Hamm, Stella McCartney, Jean Paul Gaultier and a particularly wooden Kate Moss who clearly doesn’t have a career as an actress lying ahead of her.
Eventually the best thing I can say about this film is that it was mercifully short- apparently the editing suite did the bulk of the work in trying to salvage anything remotely watchable. If anything the whole concept felt dated and irrelevant –surely even Eddie and Patsy in a desperate bid to remain current would now drink Prosecco rather than insisting on Bolly- and the laughs were the thinnest thing in the movie. A much better option would be to open a bottle of fizz, get a few friends round and watch a box-set or an early series on Netflix. With the weather outside you are more in need of a brolly than Bolly anyway!

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