Archive for August 24th, 2016

CUT

CUT
CUT-Photo-600x350
Almost from the outset of this intriguing show we are plunged into darkness and my guess is that most of the audience were still in the dark as to what had just happened to them throughout this seventy minute experience long after the lights had gone up at its conclusion. This is a good thing by the way, a very good thing!
On entering we are told that we need a safety word, ‘Cut’, if we want to leave the proceedings at any time during the show, or journey as it would transpire; on the night I attended this introduction proved so unsettling that one attendee immediately raised her hand and left before any action even took place. Their loss.
Settling into our seats we are almost immediately plunged into darkness and when they go up we find ourselves on a plane. The lone performer, Hannah Norris, then leads us through the motions of an in-flight attendant but there is something especially creepy about this particular role and performance.
At later junctures we are on a train or trapped behind Clingfilm screens with light reflecting and refracting as a well scored original soundtrack adds further tension to an already intense experience.
At several points Norris moves around so swiftly and silently in the dark I am almost convinced that she is one of two twins, as often not only has her character changed but her appearance seems to have altered slightly. It is this sense of mystique and the loss of one of our senses-in the dark nothing can be seen or observed- that adds another dimension to what is already becoming a guessing game.
Norris uses only minimal props to change from controlling predator to victim- something as subtle as letting her hair out of its pony-tail changes the feel of her character totally- and holds us in her thrall throughout the whole performance.
There is something David Lynchian about this whole show and anyone who is a fan of his work-I am very much in that camp- will find this totally arresting and completely irresistible. It is definitely the most intriguing and original work I have seen in this year’s Fringe where these particular attributes have been very thin on the ground. Definitely recommended for those who want a theatrical experience to remember and think about!
****1/2
Cut is at Underbelly Med Quad at 19.00 until August 29th

Advertisements

EXACTLY LIKE YOU

Exactly Like You
2016EXACTLY_N6
Written and performed by Lotte Rice ‘Exactly Like You’ is driven by its creators love of poetry and the inspiring voice and music of one of the 20th century’s great talents Nina Simone. It is an ambitious project and one which often reaches the heights it so obviously aspires to but as a whole fails to cohere effectively enough due to the nebulous nature of its ambitions; on occasion it feels as if it is trying just a little too hard.
Told through the experiences of Abbie, who is still grieving the recent loss of the grandmother she obviously adored. A shared love of music and especially Nina Simone function as a form of catharsis as she deals with the mundanities of her life; heavy drinking sessions, difficult work colleagues and sexual exploits.
The story shifts from scene to scene fluently enough and Rice manages to inhabit several different characters with consummate ease whilst proving along the way that she is no slouch in the singing department herself.
Where the production falls short however is that there is just too much going on and this fails to disguise the weakness of the plot strands which are just a little too thin. It is a courageous show however and certainly not without merit, the scene where Rice drags herself along whilst drunk is a mastery of elastic limbs and quite hilarious but it would be interesting to see Rice’s obvious talents used in a more cohesive show or preferably even an ensemble production. There are just too many of these one actor shows at the Fringe these days but unfortunately this one doesn’t stand out enough to quite make it as a must see!
***
Exactly Like You is at Underbelly Cowgate at 15.10 daily until August 28th

Advertisements