JUST AN OBSERVATION

Just an Observation
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So the last weekend of the Fringe/Festival is upon us already!
Somehow it feels like it is already over and for me personally I don’t feel that this year it ever really got started.
No doubt at sometime over the next few weeks some ‘official’ will use the media to report that it has been the busiest and most successful one yet when in fact this is so far from the truth. Granted more money may have changed hands- have you noticed the price of tickets for most shows? – But in most other ways this year’s Fringe has been far from successful.
The streets are as annoyingly busy as ever-perhaps even more so- and the traffic is so slow it is hard to differentiate between driving and being parked but there has still been nowhere as near as many people around the venues or even in them as there usually are. Mind you when shows are £10 upwards on average, a pint of lager is over a fiver and six pound is the going rate for a bacon roll-re-named pulled pork and served by a bearded hipster in denim tights (that’s just the girls by the way) so that makes it a bargain obviously- or even more for a burger then it is an expensive night out even if you are doing it on the cheap.
Of course the weather has not helped matters either. The Fringe in sunshine is a totally different beast to the Fringe in perpetual grey, drizzle, rain and wind and unfortunately this year these are what we have had for the most part. Getting wet queuing for shows then drinking warm beer in cold outdoor venues is not my idea of a good night out. Obviously the weather cannot be helped but it really does alter the whole experience.
What about the shows then?
The Fringe is supposed to be at the cutting edge of new talent with innovation and experimental ideas offering an insight into the next big happening thing. Or so we are led to believe.
However I have not seen much evidence of anything groundbreaking or innovative this year and several shows were ones I missed last year due to a busy schedule so were returning productions, admittedly with a tweak here and there, so hardly cutting edge.
Perhaps the fact that 2016 has been such a pivotal year in cultural change –the deaths of Bowie, Prince and Muhammad Ali amongst others then there is the little matter of Brexit here and the rise of Trump across the Atlantic- means that real life has afforded us more incredible drama than anything the theatre could produce and as such has been rendered almost redundant. Life no longer simply imitates art it would seem it now dictates it.
Also things have moved at such a swift pace this last eight months that capturing anything topical has proved harder than usual. Who needs to go to the Fringe for thought-provoking drama when the news requires you to suspend your belief almost on a daily basis?
As for the shows which have stood out for me and worth catching over this last weekend, well there is Trainspotting at Assembly, The Club at The Gilded Balloon, Boris:World King at The Pleasance Growing Pains and Cut at Underbelly all on until Monday whilst Anohni’s one off live performance of one of the year’s best albums, Hopelessness, at the Playhouse ranks as one of the best and most modern live music shows I have seen in years and possibly the most memorable show of the last month.
So this time next week the streets will be clear, the traffic returned to normal and as habit dictates the sun will probably have returned. There will of course still be plenty to complain about though as Parliament returns soon with our new unelected Prime Minister and whatever schemes she has cooked up for us over her summer vacation. I imagine soon we will be wishing the Fringe back to at least distract us from how bad things are likely to get!

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