BRUTAL CESSATION

Brutal Cessation

The claustrophobic intensity of this Milly Thomas play is well suited to the confines of the Assembly Box as the relationship being painfully dissected feels like tow people boxed into their relationship by what is expected of them by social norms. However it is what is left unsaid that harbours resentment and what at the art of the play feels like familiarity that only couples forge in their relationship but pretty soon it is obvious something darker and more malevolent is manifesting beneath the surface; the systematic breakdown of a relationship.
It is the challenges that make up a relationship that are put on trial here and the series of everyday routines leading to a battlefield of proving a point to whatever end.
Thus we are treated to the female character –Lydia Larson- describing in intricate detail a violent fantasy regarding the male character-Alan Mahon- showing that beneath the lovey-dovey exterior some serious issues are rising to the surface via her subconscious. Demanding, baiting, provoking and pleading their relationship seems to be all about control; both losing and gaining it.
A civilised mealtime quickly degenerates into something far darker and the symbolic smashing of a water melon emphasises and heightens the tensions even further. In a twist, dialogue is delivered by one character then later repeated by the other to disorientate the senses even further.
Directed by Bethany Pitts Brutal Cessation is an involving and engaging production and its two actors deliver astounding and intense performances which more than do the material justice.
****
Brutal Cessation is on at Assembly George Square at 4.20pm until August 28th (not 14th)

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