Posts Tagged ‘ FILMS 2017 ’

I AM NOT YOUR NEGRO

I Am Not Your Negro

This Oscar nominated documentary by Raoul Peck focuses on author and civil rights activist James Baldwin and his personalised recounting of the struggles and assassinations of three of his close friends, allies and fellow civil rights campaigners and/or activists: Medgar Evers, Malcolm X and Martin Luther King. Unfortunately he died several months after embarking on this project in 1979 so we will never know what conclusions he eventually reached regarding some of the changes that took place in his lifetime.
It is a stunning and utterly captivating piece of work which highlights the struggles of the African-American in 1960’s culture when it seemed anything was possible and change was not only inevitable but necessary. It was going to be long, hard fight however.
Baldwin’s fictional work at this stage was beautifully written prose and his stand out works- Go Tell it on the Mountain, Giovanni’s Room and Another Country- tackled taboo subjects, both racially and sexually motivated, in a fashion that furthered his beliefs without ever being didactic. His message was always very clear however and that message was one of injustice and that survival meant a change in both moral and racial codes.
Baldwin also published poetry and short stories to further that message even further and also appeared on the TV and lecture circuit where he called out the racist standards inherent in American culture at this time. An interesting excerpt on the Dick Cavett show in 1969- Cavett looks as nervous as he did five years later when confronted with a drug addled David Bowie in his most outlandish and talked about interview- sees him pitted a right-wing conservative ‘expert’ and subsequently demolish him most eloquently and elegantly; making a point without having to force it.
His interesting analogy that black Americans were brought up being force-fed white heroes such as John Wayne and Gary Cooper and rooting for them in the movies as they obliterated the Native tribes was an eye opener for Baldwin when he realised that the native tribes were in fact him and his culture and that he was already being conditioned to oppose them.
The fact that he was also homosexual was a double whammy but that is only looked at briefly in this documentary as it is not the central theme of the work.
The most interesting and poignant thing about this documentary is how far things actually did change. At one point there is talk of a black President in the next forty years and the idea is thoroughly ridiculed. If in fact the two decades leading up to the Obama years were neglected and history moved sharply into the Trump administration it would be easy to say that little change had been effected at all as the racial divisions which drove the civil rights campaign fifty years ago are as wide as they ever were. Or perhaps they are just as apparently obvious again.
This documentary although it looks at a particular time in history is just as relevant as ever. In fact as much can be learnt today from the viewpoints it contains and similarly they can also be acted upon and things can hopefully move forward yet again.

Free Fire

Free Fire

This latest addition to the impressive Ben Wheatley canon draws together a strong cast- Cillian Murphy, Brie Larson, Armie Hamner, Sharlto Copley, Michael Smiley and Sam Riley- and assembles them in a deserted warehouse in 1970’s Boston. There an arms deal between two Irishmen, Chris and Frank-respectively Murphy and Smiley- and a dandy South African Vernon (Shopley) set up by the fixer Justine (Larson) is about to go down.
And go down it certainly does!
Pretty soon an argument breaks out between a couple of the hired help over a transgression the previous night and the whole scenario descends into a shoot out of epic proportions. Comparisons are inevitable with the shoot out in Tarantino’s Reservoir Dogs even down to the incongruous anodyne musical choices at moments of tension; here Annie’s Song by John Denver replaces Stealers Wheel’ s Stuck in the Middle with You for comic relief.
What follows for the next hour is a hail of bullets, a barrage of witty dialogue inside a collapsing building and surroundings which ultimately do more harm than the bullet storm; maiming and fatally wounding each participant until it becomes clear that no-one is going to leave that warehouse unscathed even if they do manage to stay alive.
If fast paced action shoot-outs are your type of thing then I have no hesitation in recommending this film as it is definitely a prime example of this particular genre. However I must admit I felt my attention wandering about twenty-five minutes into the carnage and felt that an opportunity had been wasted with such a stellar cast and greater use could have been made of their actual acting abilities- as opposed to rolling around in broken glass, rubble and eventually agonising pain- and there could have been either more build up or comedown before and after the action theme took over with more dialogue and deeper character analysis.
However the premise of this film never was to explain the underlying nature of the characters or to engender any interest in their back story and even the deal at the centre of the whole film is sketchy and vague about who is actually involved or even why.
As an action movie Free Fire delivers admirably on every level and of course Wheatley manages to create an overall look and feel which never disappoints. Add an attractive strong cast and Free Fire is a visually arresting feature which takes no prisoners.

PERSONAL SHOPPER

Personal Shopper

Kriten Stewart gives an outstanding performance in this understated film directed by Oliver Assaya. That is not to say that the film is not flawed in certain respects- in fact the central premise of s supernatural ghost story is unconvincing and the potentially the film’s weakest link- but Stewart’s all engrossing habitation of her character Maureen is never anything less than compelling.
Maureen works as a personal shopper for a celebrity named Kyra- it is never clear exactly what she is famous for- and harbours frustration and resentment at her role as she feels it is unsatisfactory; although it pays well it prevents her from doing what she really wants. A major reason for her staying in this job however is the fact it is based in Paris which is where her twin brother recently died and she believes that by staying there he will try and contact her from the afterlife in a pact they made before his death.
This all becomes secondary however when her life takes an unexpected turn when she becomes a central figure in her boss’s brutal murder and when she becomes embroiled in text message game of cat and mouse with what initially seems like an insignificant character.
The film maintains an underground art-house feel to it although it is similar to this year’s Oscar winner ‘Moonlight’ in that at its conclusion it raises more questions than it answers and this is a relief as the tired formula of a conclusive ending- as demanded by most mainstream films- was always something I found frustrating and a little predictable. By not providing any finite answers Assaya allows the characters and their situations to linger in your mind and imagination some time after the film’s credits have rolled.
As stated before this film is really a tour de force for Stewart and her performance but it is still an intriguing work which captures the uncertainty and stifling nature of its central character’s life. If the ghost story part is unconvincing it is probably just that ghost stories in general are.