Kriten Stewart gives an outstanding performance in this understated film directed by Oliver Assaya. That is not to say that the film is not flawed in certain respects- in fact the central premise of s supernatural ghost story is unconvincing and the potentially the film’s weakest link- but Stewart’s all engrossing habitation of her character Maureen is never anything less than compelling.
Maureen works as a personal shopper for a celebrity named Kyra- it is never clear exactly what she is famous for- and harbours frustration and resentment at her role as she feels it is unsatisfactory; although it pays well it prevents her from doing what she really wants. A major reason for her staying in this job however is the fact it is based in Paris which is where her twin brother recently died and she believes that by staying there he will try and contact her from the afterlife in a pact they made before his death.
This all becomes secondary however when her life takes an unexpected turn when she becomes a central figure in her boss’s brutal murder and when she becomes embroiled in text message game of cat and mouse with what initially seems like an insignificant character.
The film maintains an underground art-house feel to it although it is similar to this year’s Oscar winner ‘Moonlight’ in that at its conclusion it raises more questions than it answers and this is a relief as the tired formula of a conclusive ending- as demanded by most mainstream films- was always something I found frustrating and a little predictable. By not providing any finite answers Assaya allows the characters and their situations to linger in your mind and imagination some time after the film’s credits have rolled.
As stated before this film is really a tour de force for Stewart and her performance but it is still an intriguing work which captures the uncertainty and stifling nature of its central character’s life. If the ghost story part is unconvincing it is probably just that ghost stories in general are.