FLEABAG
Fleabag
Originally at the Fringe in 2013 Phoebe Waller Bridge’s Fleabag in the interim has become a successful and quite brilliant BBC production. Although she does not appear in this updated outing the baton has been handed onto Maddie Rice who although she doesn’t quite sprint ahead with it certainly holds onto it firmly.
Differing from the TV show, this is a one woman show wherein Rice sits alone on stage with only a chair as a prop and only the briefest of recorded interjections from peripheral characters, I can’t help but feel that something is lost as the protagonist’s interactions with and reactions to others is what made that show so very special. It is still an outstanding show though and Rice’s adaptation of the spiky, confrontational and acerbic Fleabag loses none of her mettle.
Focusing on the lot of what it is to be a woman in the modern world Fleabag feels as if she has little to recommend her other than sex. In fact sex is the currency she uses on a daily basis in every situation she encounters other than with her family and even then it is still bubbling close to the surface. Raunchy, explicit and direct are the mediums she uses to get across her message and although she is obsessed with pursuing her desires there is a hint of melancholy about it all; as if she is going through the motions of what is expected of her and hasn’t really considered what it is she truly desires herself as she is so busy feeding the fantasy of others and what modern culture expects of a liberated free thinking woman. She has removed herself from one stereotype and simply created a new prototype.
Defiantly confrontational Fleabag often makes for awkward listening and to anyone familiar with the production the scenarios adapted here will already be familiar. In some ways it is the greatest hits compilation of the TV series. This is no bad thing as they were such wonderful hits in the first place!
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Fleabag is on at Udderbelly George Square until August 27th.